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Placement Auditions

All campers for TAP Junior, TAP Senior, and TAP Advanced are required to audition at the beginning of camp. Auditions are held for many reasons. The staff will get the opportunity to know all the campers and their strengths and weaknesses in all types of performance. Additionally the staff will be able to make casting decisions about the final showcase, place campers in the correct class levels, and make sure that all classes are challenging and appropriate. All campers will participate in multiple sections of the audition. The audition process will be conducted in a professional and encouraging environment. It will be fun, but we are expecting your personal best.

Download Placement Audition Info as a PDF

Jump to Junior CampSenior CampAdvanced Camp

Auditioner Basics

  • Give 100% Effort
  • Take A “Creative Risk”
  • Showcase your talents and abilitie
  • Be sup­portive of others at the audition

Junior Camp

You will be called in one-at-a-time to slate. Your slate will consist of the fol­lowing com­po­nents: your full name, where you are from & Something inter­esting about you.

Example “inter­esting” responses:

  • Your pre­vious training
  • Favorite shows
  • People who have inspired you
  • Future goals or endeavors
  • Recent suc­cesses
  • Reason for coming to this camp

Note: These are just examples; you should be cre­ative with your responses!

We will be looking for poise, artic­u­lation, stage presence, eye contact, believ­ability, diction, vocal pro­jection & sin­cerity. We are not looking for comedy, silliness or skits.

Dancing
A jazz com­bi­nation will be taught to everyone and you will perform in small groups. Please wear either jazz shoes or tennis shoes to the audition.We will be looking for poise, stage presence, facial expres­sions, con­fi­dence, clarity of steps, memory for steps, sense of style, use of body & self-awareness.

Singing
We will teach you a song from a Broadway show of our choosing and you will each sing part of that song, first in groups and then as a solo. Everyone will sing alone at some point! We will be looking for poise, artic­u­lation, stage presence, eye focus, expression, inter­pre­tation, diction, vocal pro­jection, musi­cianship & rhythm.

Tips for Non-Dancers
If you learn more slowly, stand toward the front, play close attention and ask ques­tions. Have per­son­ality! Even if you don’t feel com­fortable, lowok like you are having a great time! Sell it! If you mess up a dance step, don’t worry about it. Choreographers know they can even­tually teach you the steps. We’d much rather have someone who has loads of per­son­ality than an expres­sionless person exe­cuting steps perfectly.

Tips for Non-Singers
Sing out! Try to fill the room with your voice, even if you make a mistake. Sell the song! Singing is about sto­ry­telling. Even if you’re not the best singer you can still use your voice to tell us a story. Act like you’re having fun and enjoying yourself even if you’re scared to death. Remember: We all want you to succeed. We are not judging you. It is per­fectly fine if you make a mistake. (Don’t worry, we’ve all been in your shoes before.)

Senior Camp

Campers will audition in front of the staff and other campers. Each camper has no more than five minutes to present his/her audition.

What to Prepare

  • Acting
    2 con­trasting 1 – 2 minute monologues
  • Musical Theatre
    1 song from the musical theatre reper­toire, 1 mono­logue from any lit­erary source, a less-than 1 minute dance in the style of your choosing (optional)
  • Filmmaking
    Present a selection of pre­vious work, or intended work
  • Technical Theatre and Design
    Present a selection of pre­vious work.

Requirements and Tips

Monologues
The mono­logues may be from any source of lit­er­ature that you are closely con­nected to and pas­sionate about, including, but not limited to: poetry, prose, plays and screen­plays. We are looking for natural and honest per­for­mances. Selecting a mono­logue Find a mono­logue from a play, not written for a mono­logue book. Check your local library, book­store or the internet. It is always best to read the entire play before you begin work on a mono­logue. Make sure that you select material that has an age range you can play con­vinc­ingly. Preparing a mono­logue. Based on the play and the char­acter, answer the fol­lowing ques­tions: 1) Who are you and what is your per­son­ality like? 2)Where are you? 3) When is it? What century, year? 4)What time of year? What time of day? 5) Who are you talking to? 6) What do you want from them – or want to prevent them from doing?

Songs
Your song should be 32 bars long or less than two minutes. Songs must be per­formed with our piano accom­panist. Bring the sheet music in the correct key. Consider these basic tips:1) Know your music/song. 2) Know your tempo (how fast or slow you perform the song). 3) Know exactly where you will begin and where you will end. 4) Know the accom­pa­niment: how it sounds in relation to the musical line you are singing. 5) Use good posture. 6) Find a focus point. Don’t let your eyes roll around. Pick a spot and visu­alize the person you are singing to.

Dances
The solo dance pre­sen­tation may be chore­o­graphed by the audi­tioner, a fellow dancer, a dance instructor or it may be taken from an original pro­fes­sional source. Musical accom­pa­niment, if any, must be pro­vided by the camper on compact disc.

Filmmaking
Campers are encouraged to be as cre­ative as nec­essary in showing the directors and other campers their back­ground and expe­rience. Feel free to use multi media, props, cos­tumes, etc. Below are merely sug­ges­tions. Examples: A com­plete film project. Any piece of a film project. A treatment for a pro­posed film project. A Presentation about a film that had an impact on you. Show mate­rials that you are proud of. Use your talents to present the material in a cre­ative fashion. If your resume is short, show your enthu­siasm for the craft by using fic­ti­tious projects.

Theatre Tech/Design
Campers are encouraged to be as cre­ative as nec­essary in showing the directors and other campers their back­ground and expe­rience. Feel free to use multi media, props, cos­tumes, etc. Below are merely suggestions.Examples: Complete costume ren­derings for a pro­duced or fic­ti­tious show. A light plot and instrument sheets Ground plans and a set model. Stage Management Prompt Book. Sound design CD from a pro­duction. A port­folio of various expe­ri­ences. A description of the tech­nical ele­ments of a show you have seen or worked on. Show mate­rials that you are proud of. Use your talents to present the material in a cre­ative fashion. If your resume is short, show your enthu­siasm for the craft by using fic­ti­tious projects.

What the auditors will be watching for
How much energy and effort you put into your per­for­mance and how well you relay the meaning of the song to the audience. Are you con­fident with the material? Are you on pitch, in rhythm and properly pro­jecting? Expression and inter­pre­tation. Showmanship/Expression: put the style of the piece in your body and face. Confidence: show the chore­o­g­rapher that you are comfort– able and con­fident with the com­bi­nation. Dance tech­nique: show proper tech­nique including body alignment, spatial awareness, rhythm, clarity of steps, etc.

Advanced Camp

Be pre­pared to present your audition mate­rials on the first day of camp. Those who are attending tap senior should prepare the proper audition for TAP Senior as well.

The cur­riculum for Acting and Musical Theatre is the same. All campers will prepare songs and mono­logues and take movement/dance classes. Musical Theatre Majors will learn at least two songs and one mono­logue. Acting Majors will learn at least two mono­logues and one song.

Acting Major
Present two con­trasting mono­logues, each approx­i­mately two minutes in length. We’d like to see two com­pletely dif­ferent char­acters from two dif­ferent plays and play genres. You may choose one clas­sical and one modern piece. You may choose one comedy and the other dra­matic. Each piece should be a char­acter from a play. The char­acter should be an appro­priate age range, but can be a stretch for you. We are looking for evi­dence of a true under­standing of both the char­acter and full context of the mono­logue. If you are a singer, please prepare one 32-bar song as well.

Musical Theatre Major
Present two con­trasting songs from musical theatre reper­toire and one mono­logue from a play. Be sure one song is up-tempo and the other is a ballad. Additionally, you may want to choose one dra­matic and one comedic and con­sider making one classic and one con­tem­porary. Songs must be per­formed with a piano accom­panist or an accom­pa­niment tape (if sending a video). No a capella.

All Campers
Bring your headshot and resume (if you have them). Send an e-mail as soon as pos­sible out­lining the audition mate­rials that you have pre­pared. List all songs and what shows they are from. List all mono­logues and what plays they are from.