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Filmmaking

June 3 - 24, 2012

Students examine current trends in the industry and explore their personal creative process as they learn film production from concept to product. In a very hands-on approach, turn your concept into a screenplay and your screenplay into a film.

TAP Filmmaking...

The amazing Katie McDowell created this awesome little promo... enjoy!!

Philosophy

Filmmaking at TAP Camp is a very hands-on expe­rience. Students spend most of their time with Buckner Cooke, who guides them through the process, tech­niques and enjoyment of cre­ating films from scratch. He teaches them the tech­niques nec­essary to create solid material and gives them the freedom to be cre­ative and inno­v­ative. Campers also take work­shops in screen­writing, film directing, casting and more. Additionally, they are given the oppor­tunity to take non-major classes in voice, dance, acting and tech­nical theatre.

Curriculum

Students examine current trends in the industry and explore their per­sonal cre­ative process as they learn film pro­duction from concept to product. In a very hands-on approach, turn your concept into a screenplay and your screenplay into a film. Filmmakers are given the tools and support to create films of their choosing based on the theme for the final showcase. Each student pro­poses a film concept for approval on the second day of camp. The first week is spent writing the screen­plays and engaging in film training classes. Week two, film­making majors are assigned a job on each film and each director is given a cast (campers from other majors). Each film major plays a dif­ferent role on the mul­tiple films created, with the oppor­tu­nities to write, direct, assistant direct, produce, mix, boom, gaffe, and edit. The third week is for editing and all films are screened on the final day of camp.

Course Descriptions

Production Equipment

A com­pre­hensive intro­duction to basic film pro­duction tech­niques and equipment. Proper pro­ce­dures are explained for the use of cameras, lenses, lights, micro­phones, mixers, and editing equipment.

Directing

Introduction to the crafts of acting and directing for the film medium; with emphasis on the visu­al­ization of the screen play, the junction of the actor in inter­preting the script, and the role of the director in han­dling actors in the pro­duction of a film.

Screenwriting

Turn your concept into a screenplay by exploring plot, char­acter, scenes and dia­logue. Emphasis is on char­acter devel­opment as well as shaping and refining the story. Learn the basics of screen­writing as you develop your own work.

Cinematic Techniques

Addresses the basic problems of designing and directing scenes for motion pic­tures. Some of the problems dis­cussed are the rela­tionship of film to reality, con­ti­nuity, shot selection, cov­erage, cut selection and visu­al­ization techniques.

Editing

We offer hands on expe­rience in the cre­ative and mechanical aspects of editing for both sound and picture. Students will have com­plete access to the tools nec­essary to pro­fes­sionally edit their films on Apple G5 com­puters and the Final Cut Pro editing software. This is the same software used on award winning films such as True Grit, No Country For Old Men, (500) Days Of Summer and this year’s Academy Award winner for best editing: The Social Network.

The Motion Picture Grip

In this hands-on course, stu­dents will learn basic grip skills and operate equipment and tools used on location and the motion picture stage.

Lighting

Examines the tools and tech­niques of lighting. Classroom time includes lecture but is pri­marily devoted to hands-on lighting and shooting exercises.

Sound

This is an his­torical, tech­nical and aes­thetic overview that covers micro­phones, location sound recording problems, micro­phone types and placement, transfer, ADR, Foley, sound effects, sound editing and mixing.

The History of Film

History of the devel­opment of motion pic­tures, with examples, from their begin­nings to the present day. Emphasis is placed on the American feature film. In addition to lec­tures on film history, fiction films from the silent era to the modern day will be screened and discussed.

Specials

Guest artists may be brought in for special topics such as Stage Combat, Resume Creation, Make-Up, Film Acting, Film Producing, Film Casting, etc.

Practicum

Once the films have been written, the Filmmaking Majors spend their time on location filming each movie, and then they go into the editing room to create the fin­ished products.

SHOWCASE

Not only do film majors get the oppor­tunity to perform live on stage with their fellow musical theater and acting campers, they also have their own pre­sen­tation of films as the final event before everyone goes home. All of the original films pro­duced throughout the camp will be pre­miered in the main theater in front of campers, staff, and parents.

Don't forget to check out...

Katie McDowell, Filmmaking Major 2006/07, was awarded the Berkeley Video and Film Festival Grand Festival Award for Young Producers, the highest pos­sible honor for her sub­mission. She received this award for her film The Substitute, a 7-minute short that she created at TAP. Katie trav­elled to Berkeley, California in order to make a brief accep­tance speech and to attend the screening of her film.