by Ginger Morris
TAP Camp Director
Freelance Director/Choreographer/Educator/Manager

A revue is a type of multi-act the­atrical enter­tainment that uses any com­bi­nation of music, dance and sketches. When I create a revue, it is typ­i­cally songs and dances from musicals strung together by a theme.

Are you strug­gling to produce a big musical every year or is there pressure to start doing musicals at your school? Here are a few reasons to con­sider pro­ducing a musical revue.

1. Role Distribution
In a musical, you have to cast people based not only on talent, but on “fitting a role.” You have to have the right people placed in the right places and often you sac­rifice the talents of certain stu­dents for the per­son­ality or phys­i­cality of another. When you do a revue, you can cast as many people as can fit on your stage and it doesn’t matter if they fit a role. You can create a show around the stu­dents you have and you can showcase their indi­vidual talents.

2. Cost Effective
You don’t need a set or intense cos­tumes. You can ask the stu­dents to wear some­thing that ties them all together and looks uniform in nature but you don’t need to go through the trouble of renting, begging, bor­rowing or making cos­tumes. As far as a set goes, you don’t need any scenery. If you want to get fancy, you can use a slideshow or just a backdrop, but if you have a cyclorama, just throw up a new color for each number and you are good to go!

3. Great training for future musicals (chorus and prin­cipals)
In a musical, often the same kids get the leads each year and the same kids stay in the chorus. There are probably some dia­monds in the rough hanging out in the chorus who just need a little encour­agement and need a little moment to shine before they are ready for a big role. So many times, I’ve given a short solo or duet to someone in a revue (who was not ready to play a leading role), and after having that expe­rience, were ready to play a lead the fol­lowing year. Also, you are training your chorus to be a better chorus and training your musical leads to be better chorus members. The more song and dance numbers you put in your show, the better your stu­dents will be in future musicals.

4. Team building
Unlike a full musical, there are no leads in a revue. It is up to you to dis­tribute the solos however you like, so you may allow for more equal dis­tri­b­ution and your stu­dents can feel like they are con­tributing to the final product as a team and not as leads and a chorus. If you already do a musical each year, this is a great way to get everyone on the same footing and working as a team before you work on the musical and things feel more divided.
5. Simple SchedulingYou can divide the stu­dents in so many ways based on dance ability, or vocal ability or age and you can schedule rehearsals in a way that is simple, only rehearsing one number at a time. You can wait until the week of the show to put all the sep­arate groups together.

6. Introduce various styles and eras
When you choose a musical, you are choosing one style to introduce the stu­dents to. If you do Oklahoma!, you are learning the music of Rogers and Hammerstein and the dance style of classic American theatre. In a musical revue, you can do songs from a variety of shows. You can introduce songs from musicals that you couldn’t actually do at your school. You can do songs from Cole Porter’s Anything Goes and songs from In The Heights all in the same hour-long revue.

I have been orga­nizing and directing musical revues for the last 15 years. It is a won­derful way to introduce a variety of songs and dances to a large group of kids in a fun ensemble style envi­ronment. Check back in a few weeks and I will give examples of revues I have pro­duced with some pointers on pro­ducing your own.